At that time, she said, it was common for news organizations to run theater photographs handed out by producers that tended to present reality in the light most favorable to them. Ms. Krulwich, however, wanted to cover theater with the same journalistic approach that the paper employed while reporting on other events.
Ms. Krulwich said that her approach was direct, telling producers that theater was looked upon as news inside The Times and should be documented that way. Eventually, she obtained access to almost every production in the city.
Over the years, Ms. Krulwich has captured moments that have become a part of theater lore. She photographed developmental work on the Broadway production of Tony Kushner’s masterwork, “Angels in America.” In 1996, she took what is believed to be the last picture of Jonathan Larson, the writer and composer of “Rent,” hours before his death the night before the show’s first Off Broadway preview.
Her Tony, in 2018, made her the first journalist recognized for excellence in the theater, an honor given to people, organizations and institutions that have contributed to the industry but are not eligible to win in other Tony categories.
Returning to work inside venues she’s accustomed to, Ms. Krulwich said she took delight in seeing people she has known for many years and looked forward to a time when everyone connected to productions will, once again, be able to make a living.
“It’s a small group of people,” she said. “Almost an extended family.”
The day after photographing Mr. Daisey, Ms. Krulwich wore an N-95 mask and climbed a ladder at the Daryl Roth while shooting about 20 minutes of a performance of “Blindness,” an audio adaptation of the dystopian novel of the same name by the Portuguese writer José Saramago.
And then, the following day, at the St. James, she photographed the dancer Savion Glover and the actor Nathan Lane at the 36-minute event they performed in front of a masked audience of 150.
Z Lane Media Network